You may also notice that recorded tracks do funny things. Unmasking the desirable frequencies in every instrument is one of the primary uses of EQ. Suddenly, if your tracks are balanced properly, you’ll hear the kick jumping out.
Then, get into your bass EQ, and put a notch in those frequencies so it isn't competing with the same space as the kick. For example, you might find the 80 hz, 200 hz, and 1950 hz all sound great. This can be a frustrating problem, because the kick and bass may sound great on their own, but don't achieve the desired result together.īy altering the kick drum EQ, you can find the frequency at which the kick sounds best. Often a bass track will have too much of a certain frequency, and end up completely masking the kick drum. Especially on tracks that are not professionally recorded, you’ll notice that the more you add, the worse it gets. What you may notice, is that a bunch of tracks that sound great individually, don’t sound very good when they’re put together. Eventually each track will individually feature the wanted frequencies. Often, the mere act of turning down a bad sounding frequency by 3 db can make the entire track shine.īasically, you’ll boost and cut your tracks until you achieve the proper balance within your individual tracks. Using EQ, you can turn up or down a specific frequency within a track. Within a track, you have a broad range of audible frequencies. What you’re doing here is balancing the instruments within a mix. When you’re first setting up a mix, you’ll probably start with levels. Think Of EQ Like A Really Fancy Volume Fader Think Of EQ Like A Really Fancy Volume Fader.